Ashenputtle
locked in the body by the hearth.
Resolve a fine lace
worn thin around her heart.
Where is pride
when shoes are rags,
when clothes are as patched
as freedom?
Here is spite,
the stepmother archetype,
her brood of jealousy.
Worked into the frenzied cruelty
of the well dressed,
the well heeled,
the socially ambitious.
Who dares to travel
to the Prince’s Ball?
Here is pride
as tart as vinegar.
Here is vanity, genie bottle,
maternal substitute,
beauty makeover.
The great mirror
in which dark is light,
gourds are carriages,
mice are stallions,
rags are haute couture.
Where is modesty
when you’re better accessorized
than Barbie?
Here is gaiety
for the King’s best son;
the whirligig,
the swooning girls,
a real gas.
Fetching as a pumpkin pie,
succulent partner
with the fireplace eyes.
Dream date romance,
truer than Harlequin’s,
dry as ash.
Here is modesty-
Midnight bell,
the virgin’s best friend.
Chastely, quickly,
fleeing into poverty.
Carriage rots.
Stallions squeak.
Her only trace
Chanel number 5
and the best looking shoe
in the world.
Here is obsession
for the riches and glory
of the perfect foot
for the perfect shoe.
So pretty it hurts.
A brutal rite,
a fainting bind,
a bloody stump.
Here is obsession
as clear as glass.
Here is happiness
like a sieve.
Foot fetish marries
the cleaning compulsive.
What love lasts
when beauty fades?
The sullen remorse,
the childless castle,
the hateful family.
Perfect.
To bed by midnight
in glass slippers.
What price a dream
without practicality?
Who cares for cake
without a meal?
Here is hope
a dusty treasure
murmured softly,
longingly,
by the fire.
Crystal clear.
From EATING THE CHILD WITHIN
Eating the Child Within Kindle Version
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